Matrici
Paper from the 1960s: advertising sells happiness, scientific journals sell progress. Cut together, they photograph a present where beauty and horror merge — postcards from a past that talks about the future. The only difference lies in words, in the names we give things.
Analog collage, vintage paper, 2017
Analog collage, vintage paper, 201834 × 30 cm
Analog collage, vintage paper, 2018
Analog collage, vintage paper, 2018
Why matrices
In printmaking the matrix is the plate everything is pulled from. These collages play that role for the whole practice.
The paper
Advertising and science, side by side: two promises that contradict each other. In the contradiction the present becomes visible.
Language
Every word is an injury (Nietzsche); a monster with a name becomes a pet (Derrida). The collages hold both at once.
| Year | Title | Venue | Note |
|---|---|---|---|
| 2021 | XIII Florence Biennale — Eternal Feminine | Eternal Change | Fortezza da Basso, Florence | Group exhibition |
| 2019 | Van Der Plas Gallery | New York | Group exhibition |
| 2019 | Galerie Thuillier | Paris | Group exhibition |
| 2019 | CMC — Centro Culturale di Milano | Milan | Group exhibition |
| 2018 — | Group exhibitions | Rome | Analog collage |
The analog collages of this room are available for exhibition and acquisition. Portfolio, dimensions and prices on request.
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